The date draws very near when I will leave the (dis)comfort of full time office employment and begin working as a freelancer. In the mean time, last week I had the chance to photograph for Redpoint climbing wall in Bristol. This was an evening boulder competition: I arrived after work, shooting for a couple hours, then had a good bash at the comp myself after the time for everyone else was up. Thanks to Jack and Geoff for the heads up and having me! Definitely check out Redpoint, it's an excellent, vibrant wall.
I also got to meet Dan, who is their usual practitioner of black-box magic, and who films for DMM (and climbs of course) - he gave me some excellent tips on short notice, so cheers Dan.
Behind the scenes: Quite literally. To get most of these shots I scurried in behind the art-adorned plywood walls and equipped with harness and lanyard scaled the metal climbing frame forming the boulder walls, then balancing from above was able to get some great angles on what were some excellently set, dynamic and fluid problems. [note: dust sealed body and lens - WIN - my bag has some stylish white patterning still.
These are the top shots from the night. I will be making all these photos and more
available to download
as full size images to keep once I have clearance from Redpoint.
2013.10.17 EDIT
- The below link has now been removed, if you would like to get a download of your photo please CONTACT ME.
[EDIT - Link for dropbox download - ENJOY!
Also please credit me or link back to my facebook or blog if you post these yourself, thanks!]
If you are uncomfortable with having your photo online then please email me and ask me to remove it.
Finally - thank you to all the climbers! Hopefully see you around Redpoint and TCA.
As usual you also can view this set on Flickr
As always cutting criticism and comments via email (tomglendinning.photography@gmail.com) or
facebook
, are hugely helpful and welcome.
If you don't like something then please, tell me - Also try to articulate why, it is tremendously useful to have constructive, critical feedback.